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The Curious Case of the Gin Martini

Writer's picture: Anton KinlochAnton Kinloch

The gin martini isn’t just a drink. It’s a rite of passage. A relic of a bygone era when men wore suits to dinner and understood the art of conversation, when bartenders weren’t Instagram personalities but grizzled sages behind mahogany slabs. It is not a drink for the indecisive. There’s no room for half-measures here—no flavored vodkas, no froufrou nonsense. A real martini is gin, a whisper of vermouth, and the kind of ice that doesn’t taste like a freezer.


You order it with conviction or not at all. “Gin martini, stirred. Dry.” That’s all that needs to be said. If the bartender doesn’t nod in quiet approval, you’re in the wrong place. If they reach for vodka, leave. You don’t want to drink there. You don’t want to be seen there.


A proper martini is a lesson in discipline. The gin should be cold enough to sting, the vermouth measured with the kind of precision that would make a watchmaker jealous. Stirred, never shaken—unless you enjoy a glass of sad, aerated slush. The glass, a stemmed, elegant chalice that exists for this drink and this drink alone, must be ice-cold, the kind of cold that makes your fingers ache when you touch it.


Then, the garnish. An olive if you want to feel like a backroom dealmaker, a lemon twist if you prefer your bitterness with a little flourish. Either way, it’s a statement. A final flourish on a drink that requires neither embellishment nor apology.


The first sip is an exorcism, a baptism in juniper and cold, clean alcohol. It doesn’t ask for your approval. It demands respect. It cuts through the noise of the day, washing away the petty grievances, the dull hum of small talk, the weight of everything unnecessary.

A good martini, a real martini, is the drink of people who know what they want, who see through the bullshit, who understand that elegance is a simple thing, and simplicity is best left uncorrupted.

So you sit, glass in hand, taking in the room. The world slows down. And for a brief, perfect moment, everything makes sense.


What's our ideal martini? A 50/50 martini—the kind of drink that says, I know my history, and I know my booze. Balanced, elegant, and deeply respectful of what vermouth is actually supposed to do. The person we look to for this is none other than Dale DeGroff—after all, the man didn’t just curate cocktails, he set the damn standard. A good 50/50 is all about harmony. The gin does the heavy lifting—botanicals, juniper, a little heat—but the vermouth steps in like a well-rehearsed duet, rounding out the edges, softening the punch. It’s the kind of drink you sip when you actually want to taste what you’re drinking, not just numb yourself to the world.


It’s a bartender’s drink, a chef’s drink, a drink for people who understand that sometimes, less isn’t more—balance is. And if done right? Ice-cold, stirred with intention, served in a glass that feels like it belongs in an old-school jazz club? It’s perfection.


Now we must select the vermouth, Dolin Blanc— a choice that says I'm playing at a different level. Not just any blanc vermouth, but Dolin Blanc—the whisper of Alpine herbs, the delicate sweetness without cloying, the kind of vermouth that makes you stop and appreciate the why of a 50/50 instead of just the what. It’s a beautiful backbone because it lets the gin do its thing while adding a little intrigue, a little je ne sais quoi—floral, honeyed, just the right amount of brightness. It’s the kind of vermouth that doesn’t just support; it elevates.


Of course we must assess the gin component here, for us Monkey 47 is a wild ride in the best way possible—47 botanicals coming together like a symphony, layered and complex but somehow never chaotic. It’s the martini you sip when you want to think about what you’re drinking. That piney, citrusy, floral backbone meets Dolin Blanc? That’s a flavor experience, not just a cocktail.


Alternatively for a more cost effective gin, Martin Miller’s, though—a choice that tells people that you appreciate the details. The Icelandic glacial water gives it that impossibly smooth mouthfeel, letting the citrus and juniper shine without overwhelming the palate. It’s a gin that feels good to drink, which, let’s be honest, is what a martini should be.


And if neither of those are on deck? Beefeater. Because at the end of the day, if it’s made well, a proper London Dry gin is still a masterclass in balance. Clean, crisp, with that classic juniper punch—it gets the job done, no fuss, no pretense.


That first sip is earned. It’s cold, crisp, almost jolting against the fatigue settling into your bones. The Dolin Blanc does its dance, coaxing out the softer edges, while the gin—whether it’s Monkey 47, Martin Miller’s, or the ever-reliable Beefeater—lays the foundation. A 50/50 because balance matters, in the glass and in the life you’ve built around it. You sit there, taking it in. The weight of the night, the satisfaction of a job done well, the quiet victory of knowing you’re carving out something real in a world full of noise. And for a moment—just a moment—it all makes sense.


That’s your martini. And damn, that’s a drink worth having.

 
 
 

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